Handel's Operas, 1726-1741

Handel's Operas, 1726-1741

Winton Dean / Jan 23, 2020

Handel s Operas Handel ranks with Monteverdi Mozart and Verdi among the supreme masters of opera yet between when Handel was still living and not one of his operas was performed anywhere Their revival in

  • Title: Handel's Operas, 1726-1741
  • Author: Winton Dean
  • ISBN: 9781843832683
  • Page: 310
  • Format: Hardcover
  • Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 when Handel was still living and 1920 not one of his operas was performed anywhere Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art But they are still too little understood, or studied, and until recently no reliaHandel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 when Handel was still living and 1920 not one of his operas was performed anywhere Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art But they are still too little understood, or studied, and until recently no reliable modern editions existed This long awaited book is the sequel to lHandel s Operas 1704 1726 l, published in 1987 It is the first study in depth of Handel s last twenty two operas, including major masterpieces such as lOrlando l, lAriodante l and lAlcina l and the brilliant lighter works lPartenope l, lSerse l and lImeneo l Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera s musical and often misunderstood dramatic qualities, a performance history, and comparison of the different versions Much new material has been incorporated In addition four general chapters throw a vivid light on the historical background Two Epilogues touch on Handel s dramatic vision, the revival of his operas in the twentieth century, and their performance today There are a number of valuable Appendices Together with its predecessor, the book provides the first complete overview of these works WINTON DEAN is the most distinguished British authority on the life and work of Handel he has also written extensively on opera in general.

    Handel s Operas, Winton Dean Dec , Handel s Operas, Hardcover March , by Winton Dean Author Handel s Operas, Winton Dean, John Merrill Mar , this is a scholarly book on Handel s operas, there is a nd volume that treat the operas after Both are by Dean Winton and he is the best critic on Handel s operas, and Handel s operas are the best Baroque operas A winning combination There is not much else to say. Handel s Operas, by Winton Dean Sep , Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between when Handel was still living and not one of his operas was performed anywhere Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art But List of operas by George Frideric Handel Handel s earlier operas tended to be of a lighter nature, although there are intermittent moments, such as the prison scene from Almira , which are highly dramatic Handel s music for his first operas in England was often derived from musical ideas and idioms found in his cantatas and other works written during his time spent in Italy . Classical Net Review Dean Handel s Operas There is much new material in Handel s Operas Dean is arguably the world s, certainly the UK s, most distinguished Handel expert and of course material unavailable elsewhere To have it all in one well organized place is very appealing. Handel s Operas, by John Merrill Knapp and Handel s Operas, NoDust by John Merrill Knapp Winton Dean Condition is Good Shipped with USPS Media Mail.

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      • Winton Dean

        Winton Dean Is a well-known author, some of his books are a fascination for readers like in the Handel's Operas, 1726-1741 book, this is one of the most wanted Winton Dean author readers around the world.


    511 Comments

    1. One volume from the last word in Handel reference books. This one covers the 2 operas he did with Caffarelli (Serse and Faramondo), as well as many of his big ones with Senesino such as Orlando. Unfortunately heavily privileges music theory and analysis over social/historical context.


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